It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment. An inventive commentary on the pleasures and dangers of wielding a camera, Medium Cool is as prescient a political film as Hollywood has ever produced.
With its mix of fictional storytelling and documentary technique, this depiction of the working world and romantic life of a television cameraman (Robert Forster) is a visceral cinematic snapshot of the era, climaxing with an extended sequence shot right in the middle of the riots surrounding the Democratic National Convention in Chicago.
Reviews "A film remarkable for its insistence that no one exists outside of politics, whether one experiences it as a backdrop to daily life (a wrinkled Bobby Kennedy poster in a cramped apartment) or as a nightstick to the gut." – Criterion
As part of our See Change initiative, we strive to showcase the work of women and non-binary individuals and their behind-the-scenes involvement in a production.
This film is edited by Verna Fields and Marcia Lucas.