Kate (Catherine Keener) has a lot on her mind. There’s the ethics problem of buying furniture on the cheap at estate sales and marking it up at her trendy Manhattan store. There’s the materialism problem of not wanting her teenage daughter Abby to want the expensive things that Kate wants. There’s the marriage problem of sharing a partnership in parenting, business, and life with her husband Alex (Oliver Platt) but sensing doubt nibbling at the foundations. And there’s Kate’s free-floating 21st century malaise—the problem of how to live well and be a good person when poverty, homelessness, and sadness are always right outside the door. Plus, there’s the neighbors: cranky, elderly Andra and the two granddaughters who look after her. As Kate, Alex, and Abby interact with the people next door, with each other, and with their New York surroundings, a complex mix of animosity, friendship, deception, guilt, and love plays out with both sharp humor and pathos.

“This gorgeous film, always tender and sometimes dark, is a deeply resonant comic drama that’s concerned with nothing less than life, death, love, sex, guilt and the urban logic of mortality.” (Wall Street Journal)